What Does Freedom Look Like When It Becomes a Garment?

There are questions that do not demand an immediate answer — they require time, elimination, and courage. For Ruxandra Stancu, the question was simple on the surface and complex in depth: what does freedom look like when it becomes a garment? She is not drawn to pretty ideas; she is drawn to ideas that endure. Ideas that can be translated across multiple languages — visual, strategic, aesthetic — without losing their essence along the way. Creation, she says, does not begin with an object and does not end with a launch — it begins with a simple, uncomfortable question: what do I actually want to say? The rest is structure.

What Does Freedom Look Like When It Becomes a Garment?

In her process, there is a fine line between inspiration and decision. Inspiration is spontaneous, decision is mature, and Ruxandra works in the space between them — she doesn’t search for references when developing a concept, she looks for tensions. Because where there is contrast, there is potential, and where there is too much comfort, there is usually a need for editing.

Guided by its mission to champion creative excellence, 360° brand management, and results beyond expectations, Mediascope provided her with the resources and space to take this thinking beyond strategy and visual identity. The answer arrived in the form of a collaboration with Havana Club — a brand with a strong, sensory, and unapologetic DNA, carrying an energy you feel before you even understand it. Her challenge was not to add, but to translate — to understand what already breathes within the brand and find the form through which that essence can be worn, not merely felt in the air. The collaboration with Havana did not start with a moodboard; it began with a simple idea: freedom isn’t explained, it is worn.

The collection took shape gradually, through elimination — a proportion, a texture, a detail that doesn’t scream, but lingers. The collection is loud where it needs to be and quiet where it matters, and the final outcome looks nothing like what she had anticipated — which is precisely what convinced her she was on the right track.

Built around a state of mind rather than a gender, the collection speaks to those who refuse rigid definitions, those for whom style is a natural extension of identity, not a mask. Freedom, in her view, has no standard silhouette — some pieces are fluid, others structured; some trace the lines of the body, others let it breathe, just like the people wearing them. There is no single “right” moment for them — you wear them when you need clarity or when you want to make noise, when the city becomes a backdrop or when you want to be the background.

She didn’t design pieces to define anyone. She created pieces that make room for who is already there. And style, in her vision, remains a form of ownership — a coherent expression of the same voice, regardless of context. The rest is structure.

Ruxandra Stancu – Head of Client Service & Creative, Mediascope

Check out the original article in Elle Romania, issue no. 345.

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